Holiday Romance Beat Sheet: House Swap Leads to Sparks

What is holiday romance? Feel-good stories where travel leads to exciting trysts. This holiday romance beat sheet explore Nancy Meyers’ movie The Holiday. See how it fits the Seven Romantic Comedy Beats.

You can use this plot template in Plottr, too! Grab the popcorn as we unpack one of the classic holiday romance movies.

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What’s the Premise of The Holiday?

Iris Simpkins, a society columnist in the UK (Kate Winslet) and Amanda Woods, a film trailer producer (Cameron Diaz) swap homes for two weeks.

Both are running from relationships, so new love is the last thing on either woman’s mind. Yet they’re forced to start letting go of past hurts when new romantic potential comes knocking. 

The Seven Romantic Comedy Beats in The Holiday

Keep reading to explore seven core plot points in this holiday romance beat sheet. Writing romantic comedy is when you have a romcom checklist of essential beats. 

 

Act 1: The Chemical Equation and Meet Cute

Beat 1: The Chemical Equation (Setup)

This is the opening scene or sequence identifying the protagonist’s internal and/or external conflict. 

The Chemical Equation introduces the reader to the current status quo of the protagonist. There’s something “wrong” implied about their ordinary world. 

The Chemical Equation Beat in The Holiday

There is an opening scene where a film composer, Miles (Jack Black) is scoring a romantic scene in a movie. It’s a moment of metafiction (when a story references the storytelling medium itself or its own genre elements).
Next, we’re introduced to the two protagonists’ ordinary worlds:

    • Iris: When we meet Iris at a holiday party at the newspaper where she works near the start of the movie, she’s suffering from unrequited love for her colleague, Jasper. Her heartache deepens when she’s asked to cover his marriage to another woman
    • Amanda: A successful movie trailer producer in LA when we meet her, Amanda discovers her boyfriend Ethan has been unfaithful. She breaks up with him but is unable to cry

Note the women’s ordinary worlds: Amanda’s world is wrong because she has a “bad picker,” as some people call it. Her relationships also seem doomed to fail due to the wall she’s built up. She’s emotionally repressed (we learn more about why later).

Iris’s ordinary world is wrong because she’s madly in love with a guy who doesn’t seem to care much about her, except for when it suits him. He’s manipulated her and strung her along while involved in a relationship with someone else. 

These ordinary worlds give both women strong reasons to seize opportunities to travel and escape frustration and heartache. 

Amanda searches for vacation rentals in the UK and happens to come across Iris’ charming rural cottage. They arrange to swap homes for two weeks.

Beat 2: Meet Cute (The Catalyst)

The Catalyst (or Inciting Incident) brings the protagonist and the love interest together and into conflict. This is a creative but credible event, often amusing, which sets the tone for the action to come.

There may be an instant attraction, with an obstacle, or more often, an instant dislike due to misunderstandings, social miscues, or a clash of personalities. Sparks may fly, but the protagonist is not ready for the relationship.

See more tips for this beat in Plottr’s romcom plot template – give it a whirl with a free Plottr trial.

Meet Cute Beats in The Holiday

  • Amanda and Graham (Iris’s brother): After arriving at Iris’s cottage (and surviving initial boredom), Amanda meets Iris’s brother Graham when he knocks on the front door, drunk, at 1 AM. Their initial meeting is awkward but oddly charming, setting the stage for further development
  • Iris and Miles: In Los Angeles, Iris meets Miles (the composer from the opening image of the movie). He swings by Amanda’s apartment, and their friendly, warm interaction implies the potential for a deeper connection. Miles has a girlfriend, Maggie, though she seems distracted and disengaged in the movie’s opening scene

There is a more platonic meet cute, too, when Iris meets Arthur Abbott, a retired Hollywood screenwriter. 

They later get to know each other further and there’s another moment of metafiction when he asks her why she’s acting like a “best friend” when she’s really a “leading lady.”

Act 2: Sexy Complication, Hook and Swivel

Beat 3: A Sexy Complication (Turning Point 1)

A new development raises the stakes and clearly defines the protagonist’s external goal. 

This works best when it sets the protagonist and love interest at cross-purposes and/or their internal needs are at odds with their external goal. 

One or both characters begin to see each other in a different light, raising the romantic tension. More sparks are beginning to fly. Yet one (or more) may be in a state of denial, and conflict is on the horizon.

Sexy Complications and Turning Points in The Holiday

Amanda’s external goal at this point is to enjoy a detached, drama-free holiday in England. Iris’s external goal is to have a peaceful, stress-free break in LA as she recovers from heartache. 

Amanda’s internal need at this point in the story is to find emotional connection, but she can’t do that as long as she keeps up her tough facade and is only willing to engage on the surface. 

Iris’s internal need is to regain confidence and self-esteem after years of Jasper manipulating her. 

  • Amanda and Graham: they share an impulsive night together. Yet Amanda’s trust issues resurface when she sees multiple women’s names on Graham’s phone as they try to call him (first “Sophie,” then “Olivia”).
  • Iris and Miles: Iris and Miles grow closer, but his relationship with Maggie and her lingering attachment to Jasper keep things from developing further. She has a new sense of purpose in helping Arthur prepare for a Lifetime Achievement award, though

Beat 4: The Hook (Midpoint)

The protagonist and love interest are still committed to their goals, but their growing emotions for each other begin to create conflict.

A situation irrevocably binds the protagonist with the love interest, often while tweaking sexual tensions. 

This situation alters the protagonist’s perspective. It has further implications for the outcome of the relationship. The protagonist begins to consider a relationship but realizes that it cannot work because of their external goals or false beliefs.

The Hook in The Holiday

  • Amanda and Graham: Amanda finds out that Olivia and Sophie are actually Graham’s daughters – he is a widower. She’s still hesitant to commit since she is meant to be leaving in nine days. She reveals that her parents’ divorce when she was a child was devastating. Before, they’d call themselves the Three Musketeers
  • Iris and Miles: While at a video store, Miles spots Maggie (who’s meant to be in Santa Fe) walking and flirting with another man. He confronts them and learns Maggie’s been cheating on him. 

There is more conflict at this point in Amanda and Graham’s arc than in Iris and Miles’. In Miles’ case, it is the conflict at learning Maggie’s been cheating that unites the two even more, since Miles and Iris can commiserate at both having been strung along. 

Beat 5: Swivel (Turning Point 2)

The protagonist(s) and love interest(s) have grown closer and may have shared an intimate moment. 

The stakes reach their highest point as the romantic relationship’s importance jeopardizes the protagonist’s chance to succeed at their stated goal — or vice versa — and their goal shifts.

This is the “Finally” moment for readers or viewers, where they get to see the relationship begin to take a physical step forward.

The Swivel (or Second Turning Point) in The Holiday

  • Amanda and Graham: Amanda and Graham grow closer now that they know more of each other’s backstories. Yet Amanda’s scheduled return to Los Angeles looms closer.
    Iris and Miles: Miles’ relationship with Maggie now over, he spends more time with Iris, though they’re both cautious after having been deceived

Act 3: Dark Moment and Joyful Defeat

Beat 6: Dark Moment (Crisis Climax)

This section of the Seven Romantic Comedy Beats introduces the “all is lost” moment. Here, everything seems to fall apart. 

Often, the consequences of the swivel decision yield disaster as private motivations are revealed, seeming betrayals are uncovered, and either the relationship and/or the protagonist’s goal is seemingly lost forever. 

This is when previous false beliefs and doubts come back to the surface, and the relationship falls apart (or seems about to do so). 

The Dark Moment in The Holiday

  • Amanda and Graham: Amanda decides to leave, despite Graham saying that he loves her, believing their relationship wouldn’t survive the distance and her fear of vulnerability, leading to a painful goodbye. Yet she surprises herself when she starts to cry and makes the driver turn back, yet for a moment it seems like Graham has left
  • Iris and Miles: Jasper meanwhile makes a surprise visit, and tries to get Iris to go to Venice with him, though he’s still engaged. It’s close to undoing all the work she’s done to create distance

Beat 7: Joyful Defeat (Resolution)

Both the protagonist and love interest are forced to decide if they will stick to their external goals and succumb to their false beliefs… or work through their inner conflicts and sacrifice for love. 

By the end, they work to fix their internal and external conflicts, leading to a reconciliation that reaffirms the primal importance of the relationship.

The Joyful Defeat or Resolution to The Holiday

  • Amanda and Graham: Amanda finds Graham has been crying in the bedroom back at the cottage. She tells him she’ll be his date for New Year’s Eve, replying “That’s Perfect” when he says he’ll be spending it with his daughters
  • Iris and Miles: Iris tells Jasper to get the hell out and that she’s “Done being your Girl Friday.” Iris and Miles accompany Arthur to his awards ceremony, and openly admit their feelings for each other

The final scene sees both couples spending New Year’s Eve together with Sophie and Olivia at Graham’s house, suggesting new beginnings. 

And there you have it: all seven beats of the romantic comedy beat sheet! Learn more about this romance plot template in Plottr, and get plotting with a free 30-day trial

You can also create your own holiday romance beat sheet when you create and save your own custom planning template. 

What are your favorite holiday movies (or holiday romance movies)? Comment below!

Holiday romance beat sheet - The Holiday movie

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